Am I alone in disliking samplers? I don’t dislike the idea of a sampler – in the end a lot of what I stitch is just because I’d like to try some new techniques out. But most of the samplers out there… well historical stitching has never been my thing. I’m really glad there are people who love examining, preserving and recreating historical embroideries, but it’s not what flips my switch.
And just doing the alphabet again? I can already count to nine thanks.
But the concept of a sampler – using it as a way of gathering and practising techniques – is a great one. So to give myself other sampler-type options, I’ve spent a bit of time recently trying to work on my graffiti tagging technique. Mainly because I adore typography and find a lot of the good graffiti out there simply amazing, not because I’ve got the sudden urge to start sneaking into train yards in the wee hours of the morn, hoodie up and scarf wound tight. But considering that my draftmanship skills are almost nonexistent (you should try and decipher my handwriting sometime) this has been somewhat of a challenge.
First of all: what on earth makes a cool tag? I’ve already used “stitch”, and although I’m happy to try and perfect my style with that, I’d like to mix it up a little at least.
So when a friend suggested a few slightly more wanton, albeit literary, words, well I went with it. Now I know I’m a long, long way from any tagging talent, but I liked my initial bubble styled sketch enough to use that without trying to really work it I up into something a real graffiti artist would be happy with. But it’s a start, right?
So here’s an early sketch of it. I cheated a bit with using tracing paper (because I’m lazy like that) to plan a few different colourways and stitch techniques before I settled on giving crewel a shot in wool. You’ve seen a couple of letters already, and I’ll get more up as I get closer to finishing it.
Anyone else feeling lascivious?
This entry was posted on Friday, September 3rd, 2010 at 10:47 am
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